Church of the Gibborm or Church of Christ: Why Christians Need to Start Listening to Their Runaways

Marvels Runaways

Deadline

If you haven’t watched Marvel’s Runaways on Hulu yet, please do yourself a favor and either add it to your Watchlist or subscribe to the week-long free trial now.

Because it is wonderful.

There is only ONE straight, white male character in the teen group. There are more women than men in the main cast. The moms are solid as characters and villainesses in their own right. Among the teens are a Latina and two LGBTQ characters, a black teen boy acts as group leader, and a purple haired Social Justice Warrior crushes hard on the jock with a brain.

Not to mention the parents, evil as they may be, are damn attractive.

Parents

I’m looking at you in particular, Mr. Minoru.

But the diverse casting and hot parents aren’t the only reason to watch this show.

It is a great show for those who have run away from American Christendom, and it offers a challenge to those who would uphold it over Christ’s Church.

The runaways’ parents, also known as PRIDE, support the Church of the Gibborim, a growing, Scientology-esque faith headed by PRIDE member Leslie Dean, who is also Karolina’s mother. The Church espouses a propserity-ish Gospel and claims members who have enough potential can go “Ultra,” although we are not really sure this is an achievement worth pursuing once we learn what it could mean.

Not to mention, once every year, PRIDE performs a literal yearly sacrifice of the most lonely, marginalized, and abandoned person they can find to revive a being who, at the beginning, is seemingly decrepit. In return, PRIDE receives power and wealth.

The teens discover their parents in the middle of a sacrifice, and they turn to each other to figure out what to do next. They know their parents cannot find out what they know, because they could be just as disposable as any of their previous victims, despite being their own children. As a result, the Runaways grow closer to each other, and as the adults suspect their children might be onto something, they get outright manipulative with how they try to get their kids to confess/keep quiet.

Before you accuse me of making links that are way too broad, please consider this:

American Christendom has a history of sacrificing the LGBTQ+ community’s full inclusion into the Church at the altar of so-called “orthodoxy.”

Its abusive leaders go to great lengths to silence and slander their victims when they go public.

It tells us God is a God of freedom and prosperity, but only when we become “holier” or “better” than we are now.

It proclaims harmful theology and covers it up by describing it as “taking a hard stance against sin,” and doing so for the benefit of those who have sinned or are backsliding.

And y’all wonder why people leave in droves.

A majority of Americans, most of whom profess Christianity, enjoy Marvel entertainment. We love seeing the good guys beat evil. A majority of these same Americans would probably have sympathy for the teens in Marvel’s Runaways. The kids do not see this “greater good” for which their parents say they strive. They see only evil and corruption, and they both resist and flee their families with the audience’s support.

So why do these same American Christians devote so much time and energy attacking Christendom’s runaways? Why do they accuse them of doubting too much or being too progressive instead of dealing with the very real evil which has consumed this branch of Christianity?

Have the planks in their eyes permanently blinded them? Has the throne become too comfortable to leave? Do they not realize that they bear poisoned fruit and we are sick from it?

American Christendom, y’all need to be listening to the cries of those who are leaving, especially when what you claim is for their own good is actually killing them.

The Church of Christ does not bear the poisonous fruits of racism, sexism, homophobia, transphobia, ableism, classism, ignorance, fear-mongering, or shame. She bears the fruit of the Spirit, which is love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, and self-control. When people run away from Christianity, they do so because they do not see good fruit, and because they are starving, they move on to find it elsewhere.

When you’ve become the Church of the Gibborim, or the Church of America, it’s time to tear down the walls and start gardening again. Maybe when we see real fruit growing, us runaways will return.

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“It’s Time for the church to End” How The Last Jedi Might Offer Comfort to Western Christianity

Last Jedi

A small segment of fanboys seem to have A LOT of feelings about The Last Jedi. 

They are alarmed by the “growing trend” of “warrior women protagonists who save the men” instead of playing their “natural role” of damsels in distress. They seem to fear no longer seeing themselves as the main characters, no longer in control of the narrative at large, seeing their roles “usurped” and “stolen” by those they once deemed “lesser” than them.

Good thing this isn’t a problem in society at large.

All joking aside, these fears and outbursts reflect a fear I see playing out in American Christianity, especially in regards to the so-called “death of the Church.”

Declining numbers, “compromising” (AKA “progressive”) theology, and the calling out of long-present hypocrisies and abuses give a number of church leaders cause for alarm, and they seem to think they are all related.

When congregational leaders embrace theology that welcomes LGBTQ+ people to the Table as they are, or when they say “Black Lives Matter” and take firm stances against racism and Nazis, they are seen as compromising the Gospel for political gain.

When esteemed leaders are accused of abuse, the victims are attacked for “slandering” someone who is obviously “a good man.” 

When people no longer identify as Christians because of the evils done in its name, the leaders attack them for being “wishy-washy,” and millennials are labeled the murderers of the Church, along with killers of styrofoam and the like.

These attacks are born out of fear, a fear of losing relevance in the world, of losing power and control over a nation and a narrative we have corruptly controlled for so long, a fear we call the “death of the Church” when really it is the “death of American Christendom.”

And for a people whose founder literally died and then rose again from the dead, we sure are terrified of death.

(WARNING: If you haven’t seen The Last Jedi yet and want to avoid spoilers, it’s best to stop here.)

I loved The Last Jedi for a number of reasons: the women and people of color in leading roles, seeing Carrie Fisher grace the screen one last time, the humor, the adorable Porgs.

My greatest takeaway, though, is the idea that no one side owns the Force, and whether or not specific orders exist to train people in its use, it will continue with or without them.

When Luke says it’s time for the Jedi to end, he looks at examples of how the Jedi have messed up in the past (with the rises of Palpatine and Vader within their ranks serving as examples). And rightfully so. After all, we need to be honest about the evil committed by and within our own ranks.

However, it is Master Yoda who convinces Luke that just because the Jedi were corrupt and failed countless times, the Force continues to call new people to do its work. And as they watch the Force Tree burn together, Luke realizes that the Jedi and the First Order  are not the end all, be all of the Force. They are only vessels. Some use the Force for more corrupt reasons than others, but they cannot completely extinguish it.

So when our cathedrals crumble, our fog machines fizzle out, our conferences cease, our seminaries close, and our rule books burn, God’s Spirit will continue to move.

And when our leaders fail, corruption consumes, and evil seems to permeate our holy walls, we may have to burn it down with holy, renewing fire.

But even when we must, the Body of Christ will rise anew from those ashes, and she will continue God’s salvation. And we will preach, teach, worship, and pray wherever They lead us, from the chapel to the wilderness.

Western Christianity as we know it may die, but the Church will live on.

It’s called resurrection, y’all. It’s kind of our story.

As Rey realized, death and decay bring forth new life, and underneath it all is a balance. And inside us is the same power to raise the dead.

May this comfort us when our ways inevitably die to make way for a Kin-dom beyond our imagination.

Kneeling for the Kin-dom of God

On Shrove Tuesday, (or Fat Tuesday for those adverse to fancy liturgical language), I slid down a slick ramp and busted my left knee open.

I was working in a parsonage office, and my boss brought to my attention that it had started raining, and I’d left my car windows down. I had taken the recycling and trash to the dump on my way to work, and without the cracked windows, my car would have been real ripe for the drive home.

Heeding his words, I grabbed my coat and went a little too fast out the door and onto the small, descending ramp attached to the house.

And I went down. Hard.

As I recovered from my embarrassment, I bit back curses and gingerly pushed myself up from the soft ground. I could feel the wet blood sliding down my leg and seeping through my favorite pair of jeans, which had, of course ripped. Nevertheless, I hobbled to my car, rolled up the windows, limped back inside, and asked my boss for a first aid kit.

This nasty cut bled through the 3 Band-Aids my boss gave me and 3 more at home.

The next day, Ash Wednesday, my knee stung and prickled as I knelt in front of the altar and the deacon smeared ashes on my forehead in the shape of a cross, muttering, “Remember you are dust, and to dust you shall return.”

On the first Sunday of Lent, after days of replacing bandages and applying Neosporin, small amounts of pus replaced the blood. Kneeling for prayers at my Episcopal service was unbearable, and I was in a constant state of adjusting myself on the kneeling altar.

By the second Sunday, getting on my knees for prayer was a bit more bearable. A hard scab covered the worst parts of the wound, but a small remnant of exposed skin remained open to the environment.

I began to regret being part of a denomination in which most of our prayer time was spent on our knees. We made our confessions crouched over rickety altars. We partook of our holy meal while kneeling. Whenever we asked to be made right with God and for the world to be renewed, we did so in the most submissive position a body can take. And I did so with physical pain simmering in my body.

When you spend a lot of time on your knees asking for renewal, and you’re already in some type of pain or discomfort, the desire for said renewal to happen becomes much more urgent.

*****

I’ve been thinking about my knee and kneeling in light of the American athletes bending down on football fields, soccer arenas, and basketball courts across the nation.

I think about how I knelt in reverence, and how these athletes knelt in protest, and I can’t help but think they’re somehow connected.

When I knelt in painful awareness of my busted knee, I did so out of submission to and reverence of God, with a sense of humility, smallness, and even defenselessness.

I knelt in preparation for, during the receiving of, and while returning from the Eucharist, a communal meal symbolizing Christ’s nourishing presence within us.

I knelt during prayers of confession, wondering why the One who made us and the universe would entertain the notion of letting us approach with our tiny pleas for forgiveness.

I knelt to lower myself before God, in order for the Kin-dom of God to be made real, first in me, then in the world.

Back in 2016, Kaepernick began kneeling down during the playing of the national anthem to protest the system that this country gave birth to, one that allows the police to brutalize and destroy its citizens with no consequences. He knelt, not because he’s not a patriot, nor because he disrespects veterans, but because he cares about the people deemed unworthy and disposable.

Other athletes began to join him. They, too, knelt in defiance of the corrupt ways of our country, and they hoped that in their kneeling, others would be inspired to make a different world possible.

Instead, people lashed out. Instead of clinging to justice, they clung to their star-spangled idol.

Those who are against this movement say they care about respecting the flag and the country, and about revering the lives lost to protect it.

But I don’t think that’s really why they’re upset.

They’re not mad that Kaepernick knelt or that others joined him. They’re mad that he wouldn’t stand to honor the country that disproportionately mutilates and murders black and brown bodies, bodies like his. They’re mad because these “sons of bitches” broke a code of conduct for an inanimate object that idolizes an idyllic lifestyle that exists at the expense of black and brown and other marginalized lives.

Like the Pharisees with their tithes of mint, they give their fair share of salutes and attention but neglect the more important matters of the law: “justice, mercy, and faithfulness.”

But standing for the flag isn’t the reverence those who seek a more just, merciful, and faithful nation need to show. If we are serious, like Kaepernick and his supporters are, about making America a more just nation for all people, we need to show reverence and submission to something greater.

This requires us not to stand, but to kneel.

We need to show that reverence to God’s Dream for the world, in which justice rolls down like water, the wolf and the lamb feed together and a little child leads us all, and we will no longer need written laws, creeds, anthems, or codes of conduct, because the love of God will be engraved into every heart and soul.

It is to God’s Dream that we pledge our ultimate allegiance. Not America. Not the American Dream. Not even the flag.

And it’s an allegiance we show by getting on our knees.

We show that allegiance by kneeling and confessing our complicity in a corrupt system, even when it is extremely uncomfortable and even painful to do so. We show that allegiance by kneeling in front of our siblings of color in submission to their leadership, since they know the way forward better than we ever could.

We kneel to make ourselves open to discomforting change and transformation.

We kneel to say God’s will, not America’s, be done.

Because the truth is, God’s Kin-dom isn’t something we stand tall and proud for as it enters. It’s one that is ushered into the world as we kneel down in submission to its presence and in defiance of the empires of the world.

We kneel, because we owe our allegiance to this Kin-dom, not an prideful, idolatrous, exclusionary, supremacist Empire.

Why I Enjoy Stephen King Novels (Even Though They Keep Me Up at Night)

ItPoster

For most of my life, I avoided the horror genre.

If I saw a poster with Freddy Krueger on the front, I struggled to sleep for a week. Classic horror monsters like the Creature from the Black Lagoon and Nosferatu gave me the heebie-jeebies. The giggling of the Green Ghosts from Scooby Doo could make my hair stand on end as a teenager (and even as an adult, if I’m completely honest). I couldn’t even be in the same room as my mom when she watched CSI or Law and Order, because I found those horrifying incidents as terrifying as any otherworldly creature.

I couldn’t handle these scary things. With anxiety, life itself is already plenty frightful. Give me a horror flick or book, and my overactive imagination would take those freaky scenarios, make me the main character, and turn the terror dial up to 11.

But this week, I am going into a crowded movie theater (with a friend) to see the latest adaptation of Stephen King’s It.

When the first trailer dropped, I watched it three times in one day. I followed all the news about its release, checked out all the behind the scenes and teaser photos, listened to cast interviews, and even watched a few leaked scenes online.

When something scares me, I research it like crazy. Spoilers have always been acceptable when it comes to scary things. I don’t want to be surprised. I don’t want to be a victim of “jump scares.” I want to know when every monster appearance will occur, when any victim breathes their last, when any twist comes out of no where.

But I never had a reason to research horror movies before. I just avoided them like the plague. Somehow, I found It’s premise and story fascinating enough to want to engage with it, despite (and even because of) my fear.

*****

It all began in 2016 as I was finishing up my final year of seminary. In an effort to really hone my craft, I read Stephen King’s On Writing. His tips were helpful, but more importantly, I fell in love with his writing style and storytelling voice. I wanted to keep hearing what that voice had to say.

I knew horror and I had an all but absent relationship, so before I went to the library, I set up a boundary: I would not read any of his books in my bed, in order to keep a bit of distance from me and the horrors. This often meant I would read on a mattress pad in my room below my bed, giving me at least one degree of separation, but eventually, I became so engrossed with the stories that I broke the boundary and read them until I fitfully fell asleep.

One of the first King books I read was ‘Salem’s Lot. It seemed like a safe choice. King’s monster in this one is vampires, and I figured an upbringing of Twilight and Buffy made me immune to vampire terror.

I slept with a cross by my bed for a week after I finished the book.

And yet, ‘Salem’s Lot, a story about “a vampire’s attempt to colonize a modern-day New England town,” is one of my favorite books.

*****

To pacify my fears, regarding the horror genre and my own anxieties, people often tell me they are “made up” and the products of a “dark imagination.” While I understand this to be true, I continue to believe in the scary things. That’s why I find them so damn scary.

I believe the darkest parts of our human brokenness can be made manifest physically, in everything from racist microaggressions to lynching, from “harmless” sexist jokes to rape and victim blaming, from “hating the sin but loving the sinner” to traumatizing LGBTQ+ people by putting them through “therapy.”

Because I believe in these very real horrors, I believe in the power of horrific symbols to help us better grapple with the ones we encounter everyday.

And that’s why I embraced Stephen King’s storytelling, not in spite of how much his writing haunts me, but because of how it does.

From shape-shifting clowns and colonizing vampires to abusive husbands and high school bullies, King confronts evil, both supernatural and terrestrial, head on.

King gives us the scary monsters to teach us how to deal with the real ones. He teaches us how to look the things that terrify us right in the eye, even if our bodies tremble as we do.

The scary stories, even more than the Church of my youth and beyond, taught me how to look evil in the eye and fight it.

‘Salem’s Lot taught me about the importance of forces of good combating against evil, even if that doesn’t necessarily mean an easy or immediate victory. The Stand helped me make peace with a chaotic world and an equally chaotic but just God. Revival kept me thinking about unbound science and untested religion long after my final seminary course. 11/22/63 reminded me of the dangers we inflict when we act on our own Messiah complexes.

And collectively, King’s stories taught me how to look white supremacists in the eye as I defended my friends of color from them, to know they were scary, but we were stronger than the fear they induced.

The Church of my youth taught me to avoid anything evil and monstrous, to put my hands over my ears when hell whispered at me. King taught me how to be bold and brave when the monsters broke loose and threatened to take over the world, and how to look into the depths of hell while pushing it back from whence it came.

So even though I’m freaking out about going to see It, I’m also encouraged that I will walk away not only with an adrenaline rush and a good story, but more strength and ability to deal with the world around me.

It will haunt me, and It will embolden me to keep showing up against evil in this world.

Thanks be to God.

I Haven’t Been to Church in Four Months, and I’m OK

Church

Outlook Mag

Next week will officially mark four months since I’ve gotten myself out of bed on a Sunday morning to attend a church service.

I’ve kept myself otherwise occupied.

I played card games with Bryce and our roommate. I visited my mother and helped her with yard work. I watched a lot of TV and read a few books. I spent Mother’s and Father’s Day with my future in-laws. I added to our wedding registry. I fasted from social media.

I slept in.

But I haven’t been with a traditional community of believers.

I have become what I once feared: a non-church attending Christian.

The congregation members I grew up with attached a lot of adjectives to people like me: lukewarm, backsliding, and hedonistic are probably some of the nicer ones.

You can’t be a Christian without a faith community, they insist. If you’re not part of a gathering of believers, you will follow a God in your own image and become idolatrous, they warn. Why must you be one of those pesky Burger King Christians who has to have everything their way, they fuss.

But guess what?

I’m OK.

I’m well-rested, emotionally stable (to an extent), and still in love with the Church, the Bible, and the Holy Trinity.

This being said, I still struggle to read the Bible. I find following Jesus into the difficult places harder than ever. I find God to be more mysterious than I could have imagined. And I am more annoyed by the Spirit’s non-stop calls to lay everything down and open myself up to love.

I still talk about theology and what it means to follow Jesus, although I’m even less reverent than I’ve ever been. I partake in communion, but I break the bread of gigantic slices of Manhattan Pizza with my co-workers and gluten-free, vegan rolls with racial justice co-conspirators. I pray more than I have in some time: for peace, for my loved ones to get through their days, for mercy and justice, and for people to just listen. I look for God’s presence everywhere and in everything, in the breaths I take during a run, in my fiance doing the laundry for me, in protesters as cops beat them, and in writers who share their stories and trust they will mean something to someone.

I know there will be people who will read every single thing I’ve just said and see it all as lies and heresies, more evidence of my backsliding ways.

But in reality, I feel more solid in my faith and more confident claiming a Christian identity than I have in a long time.

It could be because I’m living with my fiance and not afraid of anyone’s nosy judgment, or because I’m politically and socially engaged with no fear that a theological higher-up is breathing down my neck, waiting for me to make a theological mishap and tear me down. Maybe it’s because I have more freedom to actually ask a variety of people a lot of interesting, difficult, uncomfortable questions without having the authenticity of my faith put on trial.

Maybe it’s because I’m getting more sleep.

I’m not saying I will never attend a traditional church again. By no means. In fact, I can no longer pass an Episcopal church without feeling a tremendous pang in my heart and an intense longing for choir anthems and collects.

I also have to admit there are some drawbacks to not having a faith community right now. I miss the communal life of choir practices and youth Sunday School. I miss long, deep conversations with clergy. I miss coffee hours after Sunday service and lunch time gatherings around the seminary table.

But I can’t say my lack of a “real” faith community is completely awful either. And I definitely can’t say I will regret this time in my life, or that I feel like a failure and a backslider in my walk with Christ.

For once in my life, I feel OK with where my faith journey has taken and is taking me, even if it’s the non-traditional route.

And I’m going to soak that up for all it’s worth.

Theater is Church

Theater_header_1

Eastern Mennonite University Black Box Theater

I met my Dad halfway through my sophomore year of college. I remember hearing his voice on the phone for the first time in 15 years and thinking to myself, “He sounds just like he did on those old home videos.”

During those early phone calls, he told me about my siblings, my stepmom, her pregnancy with my then unborn brother, his upbringing as a Palestinian born and raised in Jordan, and about his life as an Arab American.

That same semester, my Theater professor assigned My Name is Rachel Corrie for my class and I to read, a one-woman play about the late activist who lost her life defending a Palestinian home in the Gaza strip from being bulldozed by the Israeli army.

This play brought me closer to my father and our shared roots, and it pushed me into an inner confrontation with American and international policy. It is a story I return to when my Dad tells me about the pain of displacement and when I continue to see the plight of Palestinians, who are my family by blood, ignored by American and international media.

*****

During the first semester of my senior year at college, I took a Basics of Acting class. For our final project, my fellow actors and I acted out scenes from a themed series called “University.”

At this point in my life, I was in the deep throes of my faith crisis. Day by day, my firm foundation revealed its unsteady nature. I kept hoping to find solid ground but continued to be met with sinking sand.

It was in this state of mind that I found out my professor had assigned me the role of a young college student who had just had an abortion and found herself in a confrontation with her one night stand about it.

I hated him for that.

And yet, it was this acting exercise that met me where I was in my crisis, in all of my uncertainty over my previous ideologies and biases, and pushed me into the mind and body of someone I had once deemed “other.” It was in the black box theater, as I worked on memorizing my character’s lines and getting into her skin, that I realized how to play with a story, discover the crazy nuances of human lives, and remember that when we talk about “issues,” we are always talking about divinely made human beings.

*****

My second year of seminary, I joined the cast and crew of Corpus Christi, a play depicting Jesus as a young gay man living and proclaiming the Gospel in Texas. I served as the dramaturg (a nice, fancy, theater word for the one who does lots of research) to prepare the cast and help them understand their roles as disciples, and I joined rather last minute as an actor to play the part of John the Baptist, in which I baptized (read: washed the hands of) all of our cast members.

Unfortunately, due to the “controversial” nature of the show, we had to shut it down.

That didn’t stop us from holding a final and open dress rehearsal to a packed house, though.

The powers that were also couldn’t stop us from sitting around during rehearsal time and trading laughter, tears, university cafe treats, and stories about how the Church had wounded the LGBTQ community.

The powers that were could never take from us the power this production had, in many ways, to save and heal the lives of the cast and crew, most of whom identify as LGBTQ+.

In this communal theater experiment, I found myself pushed into a story that was and wasn’t mine. I found myself in the supporting role, and as such, I learned to listen and be present instead of my more natural role of taking charge and stealing the spotlight. I confronted my own pain and the pain of others suffering in ways I cannot completely understand but with whom I can sit, stand, and live in love and camaraderie.

*****

Theater is not frivolous. It is not for the faint of heart or the narrow of mind, but it is for the experienced and inexperienced, the diva and the shy, the believer and the skeptic. Theater molds, shapes, and even break us in ways we spend a lifetime unpacking.

There are times when theater is the voice, body, and spirit of God when churches remain silent, paralyzed, and breathless. There are times when theater becomes the Church to the doubters, skeptics, LGBTQ+, people of color, and the oppressed when the churches all but slam the door in their faces.

 

Theater does this, because theater is story. It’s the stories with the immense power to make us confront our “others” and our own roots. It’s the stories which wake us up and wind us up. It’s the stories which comfort the uncomfortable and discomfort the comfortable.

It was stories Jesus used to illustrate the finer points of his gospel message, through parables of seeds and soil, great banquets, feuding families, and pestering widows. It was theater Jesus employed when he caused a public and zealous disturbance in the temple. It was these stories that baffled the disciples and the religious elite but made sense to the ones who had lived them in some capacity.

And throughout all of those stories and theatrical displays was the call to remember we are God’s, and we belong to each other.

While many fear the “death of the Church,” I have no fear of this, because as long as theater and stories exist, and as long as we continue to tell the stories to each other without fear or shame, the Church will survive and thrive.

I’ve seen the theater be Church for me and for others, and it gives me hope that Church will outlive every congregation we ever make or attempt.

For the Literal Love of Christ, Stop Making Jesus White

 

Superstar

Ted Neeley in Jesus Christ Superstar

I was browsing Buzzfeed the other day when I found an article about the Mary Magdalene film starring Rooney Mara (as Mary) and Joaquin Phoenix (as Jesus).

To be honest, at first I thought it was great that a film about Mary Magdalene would be coming to theaters soon, especially because of the issues many in the Church might have with her story being portrayed well on screen (she wasn’t a prostitute?!).

Then I saw the casting, and I got frustrated at the fact that once again, two white actors are portraying religious and historical figures of color.

MaryMovie

Daily Mail

I quickly went to IMBD to check out the rest of the cast, and I discovered that black, Israeli, and Algerian actors will be playing Jesus’ disciples.

Which is…better than having them all be white, too, I suppose. At least this casting is a bit more accurate.

Starting from top left: Australian actor Ryan Corr as Joseph, Israeli actor Tawfeek Barhom as James, Matthew Moshonov as Matthew, British actor Chiwetel Ejiofor as Peter, and French actor Tahar Rahim

This being said, Hollywood is not off the hook. The fact that in most biblical films, Jesus is cast as a white man while the people of color are relegated to the supporting cast is a greater symptom of the American white savior complex.

 

The simplest way to define the white savior as an entertainment trope is a white character rescuing people of color from their plight. While many well-meaning people defend these characters as benign and even admirable (perhaps citing that they learn a lesson about themselves and “those people” and become “better” in the end), they are actually rather harmful.

The danger of the white savior mentality is that it enables the savior to look down on the ones they try to “save.” It allows the savior to say, “You are only worthy of my time, attention, and compassion as long as you are beneath me. Never equal to me, and definitely not above me.”

The white savior complex “racializes morality by making us consistently identify with the good white person saving the non-white people who are given much less of an identity in these plot lines. It also frames people of color as being unable to solve their own problems.”

This racialization of morality frames white people as the good guys, and the people of color as either the bad guys or the ones needing saved.

White savior mentality does not embolden people on the “receiving” end to take agency over their own lives.

One of the primary results of the white savior/one needing saved relationship is enmeshment, which can occur “in any relationship where there is a power imbalance due to structural inequality, and ensures that the power imbalance stays firmly in place, resulting in frustration and resentment for the oppressed group.” This ensures that the person or people being saved become fully dependent on their saviors to survive and thrive, while the saviors get a nice dose of purpose and goodwill from having saved someone. They are dependent on each other for the wrong reasons.

The white savior mentality does not allow people of color, or those being “rescued” or “saved,” to voice their own concerns or opinions about their own lives. Instead, the saved remain subservient to their saviors, who tell them to trust in the savior’s goodness and logic above their own needs.

This is prevalent in reality, as seen in the accusations of TV personalities and news anchors concerning black culture and black individuals. There seem to be zero forms of protest that a person of color can participate in which white leaders will not criticize. This is why Black Lives Matter can be deemed “the new KKK” with little to no mainstream backlash. It’s why any criticism about white supremacy and privilege is clapped back against with cries of “reverse racism” and accusations of “not letting the past be past.”

Feminists are not exempt from this.

Rafia Zakaria writes in Al Jazeera, “Nonwhites are expected to approbate and modify their own lives or positions to participate in this [white feminist] narrative. The parameters of this paradigm ignore differences in privilege that separate the white and nonwhite feminisms. White women dominate the mainstream American feminism because they can still draw on white privilege and occupy the entire category.”

If left ignored, women of color will continue to be ostracized by a movement which claims to seek liberation for all.

This is why, for the literal love of Jesus, we need to drop the white savior complex, from our media and from our lives.

Jesus regarded everyone with whom he interacted as inherently worthy of his love and attention. But white savior mentality does not acknowledge the inherent dignity within every human being as a child of God.

If we continue to call ourselves the Body of Christ on earth, yet continue to ignore our siblings’ cries for justice, then we are attempting to cast off our hands and feet, destroying the Body from the inside out.

We will also damage our testimony as Christ’s body on earth to those who are not in the Church.

A personal case in point: I have a Middle Eastern, Muslim father, but I did not grow up with him. I grew up with my white mother and white family, so I learned about Arabic culture from them and the media.

And they didn’t exactly paint the best picture. Especially post 9-11.

Post 9/11, I thought all Arabs were terrorists, because that’s all I saw in the news, in TV shows, and in movies. I thought they were oppressive to women and democracy and all the other things Americans claim to hold dear (but they really don’t).

I know how this affected me, and I know how it could affect my younger siblings, and the people with whom they interact, especially in an era of proposed “Muslim bans” and chants to “Build the Wall.”

I worry about representation because of what it will tell the world about my family.

So what do we, the white Americans wrestling with our white savior complexes, need to do?

A small way to break this oppressive cycle is to consume more media with better representations of people of color, in which they, not us, are the predominant actors, writers, producers, and directors.

Love comics? Check out Black Panther, Ms. Marvel, and America Chavez.

Looking for a new show to binge-watch on Netflix? Check out Luke Cage, The Get Down, or 3%.

Want a Redbox night? Rent Moonlight or Get Out.

If you don’t consume media with predominantly POC casts and production because you think it’s “too harsh” on white people, or you wonder why you’re not in the lead role like you’re used to, you might be feeling a trace of what black, Latinx, Arab, and other “minority” communities have felt for years.

We often have the audacity to ask, in a culture we dominate, “What about me?”

I asked that question as a four year old when I was dyeing Easter eggs with my cousins because I didn’t want to share the Easter egg dye with them. As a child, I acted like a child, as do we all. Now, it’s time to leave our childish ways behind.

Will watching and reading more stories in which people of color are the heroes and heroines change the world overnight?

Of course not.

It can, however, begin to change our mentality, break stereotypes, and empower people of color.

And for the literal love of Christ, we can do that much.